Friday, September 11, 2009

This just in from Gunnar Andreassen:

[This magazine was sold on eBay, but was a bit too expensive for me. I can't remember having seen any other portrait paintings of WD from the 1930s. The artist is Stephen Grout. 4 of the 7 pages of the article are readable.]


Thursday, September 10, 2009

Thanks to Jérémie Noyer for having spotted these three photos on ebay. I knew some of them, not all.



Do not miss today this great post by Hans Perk:

- Walt & El Grupo

Wednesday, September 09, 2009

Someone is selling on ebay a copy of the 1940 Fantasia book by Deems Taylor autographed to Sally Holmes by a huge number of Disney artists. Despite some hillarious claims (the seller believes that one of the drawings was created by Dave Disney - the confirmed nickname of Walt (!!) - when the drawing is in fact by Dave Detiege) the quality of this piece is truly exceptional. You can see more drawings at this link.

Who was Sally Holmes, by the way?





Are Myklebust was kind enough to send me recently this great photo from 1942 of Walt with Sergei Rachmaninoff (Russian composer, 1873 - 1943) and Vladimir Horowitz (Russian classical pianist, 1903 – 1989).

Do not miss today:

Tuesday, September 08, 2009

Looking for lost interviews

I am hard at work on the volumes 9 and 10 of Walt's People. Volume 10 will be fully dedicated to the interviews conducted by Bob Thomas. You will find below the list of all the Bob Thomas interviews I could locate. I know I am still missing some. Those I am missing are not stored at the Walt Disney Archives or at UCLA.

Do you have access to any interviews about Disney conducted by Bob Thomas that do not appear in this list? If you do, could you please contact me by private email at didier.ghez@gmail.com

I am especially looking forward to locate the interviews with Rolly Crump and Harriet Burns that are mentioned in the bibliography of Jeff Kurtti's book Legends of Imagineering. Jeff not longer has access to those.

Full interviews

Walt Disney
Ken Anderson
Marc Davis
Bill Cottrell
Bill Walsh
Dick Irvine
Bill Anderson
Winston Hibler
Ub Iwerks
Frank Thomas
James Algar
Joe Fowler
Ollie Johnston
Milt Kahl
Walt Pfeiffer
Donn Tatum
Card Walker
Lillian Disney

Interview notes

Marvin Davis
Woolie Reitherman
Larry Clemmons
Dick Huemer
George Bruns
John Lounsbery
Dolores Voght
Roy E. Disney
Edna Disney
Ward Kimball
Roger Broggie
John Hench
Herb Ryman
Joe Potter
Hazel George
Harper Goff
Wilfred Jackson
Robert Stevenson
Wathel Rogers
Robert Foster
Ham Luske
Great news: Walt's People - Volume 8 is now available on Amazon.
I think you will enjoy this article that Michael Crawford was recently able to track down for me.

Monday, September 07, 2009

Scanning advice needed

Along with a few other Disney historians, I am trying to launch a project to preserve in digital format some key Disney history related documents.

Knowing that some of these documents are letters, others artwork, others pure text, and that the originals might no longer be available at some point in the future:

What should be our scanning parameters? 300 dpi in jpeg? Or should the resolution be even higher for artwork, the file format different,...?
Following the interview with Don Peri from last week, I conducted a short interview with Harriet Burns' daughter, Pam Burns-Clair, co-author of the upcoming book, Walt Disney’s First Lady of Imagineering, Harriet Burns.

Didier Ghez: What are the most astonishing documents you uncovered while researching this book?

Pam Burns-Clair: Rather than any one document or entry having such an effect, my daughters, husband and I were rather astonished at the volume and humor of the cards and drawings from many of her colleagues that surfaced in her basement “archives”…but we were quite blown away by the vastness of her circle of dear ones! Although I had heard most of their names over the years, I didn’t realize how strongly she had impacted so many. She had promised us these relics “someday” but kept them quite private while she was alive, no doubt somewhat embarrassed by the chaos that the collective accumulation accrued over the years! My daughter was quite mystified early on by all the nicknames that appeared on the cards: “B.A or Bush Ape…Perry…Duke of Acapulco…Your Walt…” which I was able to help decode eventually, putting her at ease that all these ‘suitors’—including my dad, Bill—were “safe” and pretty amusing!

DG: What were the most fascinating testimonies you gathered about your mother for this book?

PBC: There are many “backstage” stories by her colleagues, both among the “old dogs” who go way back with her, as well as the next generation of Imagineers who took inspiration, comfort or encouragement from her. The “wacky and creative” atmosphere is even more colorful than I was aware, and Mom was at the center of much of it! There are also some precious glimpses of her past by her 2 sisters and a couple of childhood friends.

DG: What did you learn about your mother while working on this book?

PBC: She was more multi-faceted than I perceived. She presented a responsible authority image to me with high standards and moral character as I was growing up but someone who had wacky friends at work. She was also very private in certain ways. She was always very compassionate and generous towards the ‘have nots’ and humble about her own accomplishments. I came to learn she was more generous-spirited and fun loving than I ever imagined and walked a dual line of being proper and mischievous. She was held on a pedestal by so many in ways she never let on that I could only discover in this outpouring of tributes after her passing.

DG: How long will the book be and who will release it?

PBC: 112 pages, to be exact, produced by Donning Publishers, targeted for release in early 2010. In keeping with who my mom was, it will be a combination of stories and visuals—coffee table style.
Do not miss today:

- Shipboard With Walt and Family, 1949 by Michael Barrier
- Weekend Roundup by Michael Barrier
- Snow White at 50 by Michael Sporn

and I updated the Disney Books Network this weekend.

Friday, September 04, 2009

Some of you will enjoy this Serbian magazine cover from January 1966.
This gag drawing is being sold at the moment by Van Eaton Galleries.
A few more elements from the Walt Disney Family Museum. Those are related to Gallery 8.
Do not miss today:

- Mouse Lounge -- Season 03 -- Episode 08 featuring Rolly Crump. (Thanks to Ed Mazzilli for the link.)

Thursday, September 03, 2009

I mentioned a few days ago that 2010 would see the release of a book about Imagineer Harriet Burns, Walt Disney's First Lady of Imagineering, Harriet Burns by Pam Burns-Clair and Don Peri. Don was kind enough to answer a few questions about the book.

Didier Ghez: Can you run us through the genesis of that project?

Don Peri: After Harriet's passing in July 2008 and a memorial service held one month later, Harriet's daughter Pam received such an outpouring of love for her mother from family and friends, both personal and professional, that she decided to gather this material together into a tribute book about her mother. I came on board as a co-author and we solicited and received many more stories about Harriet and they all comprise the book, together with many photos of Harriet that will delight the readers.

DG: What is the most exciting material you have unearthed for this new book?

DP: The range and depth of Harriet's impact on those whose lives she touched whether as a mother, grandmother, relative, mentor, co-worker, or friend. The stories will bring a smile or a tear, or both, to the reader and will contribute to an understanding and appreciation of this tiny woman with a heart as big as her native Texas.

DG: What primery sources did you use to write this book?

DP: The material for this book comes primarily from contributions made by her family, friends, and colleagues.

DG: As Disney historians and enthusiasts, can we expect any "revelations" or surprises in this book?

DP: One surprise for those who didn't know Harriet well may be her sense of humor. Despite her appearance, which was always flawless, she had a well-rounded sense of humor that could be a bit bawdy at times, perhaps due to her years of being the first woman among an all-male imagineering staff. She could shock people with her humor and she was usually spot-on with her observations. As an example, Disney Legend Rolly Crump recalls "Harriet and Fred Joerger [both Disney Legends] loved to tell jokes that were a bit off color. She loved shocking us with her own personal tales like 'dating' the entire high school football team. We never really knew which stories were true and which were meant for just shock value."

DG: What are the main chapters of the book?

DP: The book will most likely not fall into chapters but will be a mix of accounts from her many acquaintances.

DG: Any other details you can give us about it?

DP: You will learn Harriet's delightful childhood nick name!

DG: What other Disney-related book projects are you currently working on?

DP: I am currently working on a second volume of interviews with Disney artists who impacted Disney films, television, and theme parks. Some of the interviews are with well-known artists and some may be rare or perhaps the only surviving interviews with some lesser known artists.
Do not miss today:

- The Curious Case of Mortimer Mouse by Michael Barrier [and to read the translation of the Lo Duca book introduction by Walt that Michael refers to, follow this link.]

Wednesday, September 02, 2009


Don't walk, run... towards Amazon to pre-order it or towards your closest bookshop in October to buy it!

I have just received a review copy of JB Kaufman's new book, South of the Border with Disney: Walt Disney and the Good Neighbor Program 1941-1948. Let's admit it: knowing JB I expected something really good text-wise, something really in-depth, something in which I would learn a lot, something that would fill half a million key gaps in Disney history. I had been looking forward to this book since 2001. Eight long years. So if I said that I could not wait to open the package that contained it, you will not be surprised. What happened next was not expected though: when I started browsing through this new book I simply could not believe my eyes. The text is more complete and more in-depth than literally anything I could have imagined. I believe that only four Disney historians are as thorough: Michael Barrier, John Canemaker, Paul F. Anderson and JB Kaufman. So there is even more to learn in the text itself than my wildest dreams built over 8 years had made me expect. How is that for a stunning start?

But there is more! The quality of the illustrations is as astounding as the text. At least half of the visual documents are "never seen before." I had goosebumps by looking at almost every single page of this book. I had started to think that aside from the Canemaker books and The Disney that Never Was by Charles Solomon, we would from now on be offered either great text-books (Working with Walt by Don Peri for example) or great art-books with no text (The Disney Archives Series for example). Unfortunately JB's Silly Symphony book had not dispelled this impression (great text with uniteresting visual documents).

South of the Border with Disney shows that I was wrong: ideal books can exist. Books about Disney history as we dream them. Books that are as close to perfection as we will ever get.

By the way: this is the first book released under the Walt Disney Family Foundation label. What an impressive way to start. Disney history is truly alive and well today.

This just in from Jeff Kurtti about my post from yesterday regarding ZaSu Pitts and Mickey and the Beanstalk:
[Much of the recording of Mickey and the Beanstalk was done in 1940. That's why the soundtrack is a mix of really solid Walt Mickey and nascent Jimmy MacDonald Mickey.

Pitts was very popular and very famous in this era, her star faded and she is seldom remembered today.

There is a famous "Snow White" drawing of either the Queen or the Princess as ZaSu Pitts.]
Do not miss today:

- Chuck Jones: Four Months At Disney by Wade Sampson
- 2009 Disney Legends Award Recipients to be honored during D23 Expo
- History: Dispatch From Disney's

Tuesday, September 01, 2009


The book Windows on Main Street by Chris Snyder is well written and fun to read. It could really have been a great book. Unfortunately it is much too short (26 light pages).

The idea is to explain to park visitors what the names on the windows over Main Street stand for. Chris therefore shows some of the windows with a little profile of some of the Imagineers and executives that they feature. This is very nice for a first or second time park visitor, not nearly enough for real Disney enthusiasts or Disney historians.

There is one great aspect of the book that in itself makes it worth owning though: it contain at the end four pages listing all the names of all the individuals featured on the windows (with their locations). This is a great reference and I am really thankful for it.
So this is not a "must have," but if you go through the parks (yes, it's a park exclusive) it might be worth picking it up.
I just finished reading the book Gato Preto Em Campo de Neve by the Brazilian author Erico Verissimo. Erico Verissimo, who I often think is the Brazilian counterpart of John Steinbeck, visited the US for the first time in the late 1940 and early 1941 on a good will tour and tells of his trip in this book (which is far from being his masterpiece).

There is a whole chapter about his visit of the Disney Studio in which he tells of a meeting with actress ZaSu Pitts. Verissimo asks John Rose who seemed to be the Head of Publicity at the time what Pitts is doing at the Studio after seeing her record some dialogue and is being told that she is the voice of a harp.

A harp in early 1941 (around April or May)? This sounds like a recording for the voice of the singing harp in Mickey and the Beanstalk. But that featurette was only released in 1947 as part of Fun and Fancy Free with Anita Gordon as the voice of the singing harp.

That being said we know that Disney was already working on this project before the war. What I did not realize is that the project had gone beyond storyboard phase. By the way, on another note, ZaSu Pitts appears as a caricature in the Disney short Broken Toys.

Monday, August 31, 2009


Do not miss today:

- Van Kaufman - insignia artist by David Lesjak
- Barks at Baltimore by Michael Barrier
Request for help

A friend of mine is looking for an article in the New York Post, June 30, 1944, p.17 : Mary Braggiotti: Mickey Mouse's Dearest Friends.

Could anyone help?
This just in from Alan Coats:

[Didier - Thanks for posting Mom's obituary on the Disney Blog August 10th.

FOR THE RECORD:

Dave Smith at Archives reviewed the obit and had some minor changes that I would like to include as a specific correction message and not within the present text because it wouldn't be noticed. Dave was correct in changing the title to ARTIST WAS OLDEST SURVIVING DISNEY EMPLOYEE, SUPERVISOR ON "SNOW WHITE" - She was not the oldest employee when she was working here as the current title implies.

And, big surprise! They have a record of her hire date - 3/28/31 - not 1932 as she had always told me. This puts her even further back in animation history, before color.

Last two things. The correct title is "Three Little Pigs" not "THE..." And also, there is a question mark at the end of "Who's Afraid of the Big Bad Wolf?"

Alan Coats apologizes to all Disney fans who may have caught these mistakes. And thanks to Dave Smith for his thorough knowledge of Disney history.

Thanks, Alan]

Do not miss today:

- Walt in Ireland, Cont'd by Michael Barrier. [By the way, my guess is that the gentleman on the right is either Cyril Edgar or Cyril James. Any thoughts?]
- Lillian Disney Speaks by Michael Barrier
- The Mystery of Donald Duck by Michael Barrier
- Film Review: Walt and El Grupo by Jerry Beck

Wednesday, August 26, 2009

I will be travelling Thursday and Friday. The site will be updated again on Monday. In the meantime, do you miss:

- Fred MacMurray: The First Disney Legend by Wade Sampson
If you remember The Disney Treasures, The Disney Keepsakes and The Mickey Mouse Treasures by Robert Tieman, then you know what the upcoming book The Pixar Treasures by Tim Hauser looks like. I never cease to be amazed at the fact that we can get so many reproductions of physical items as part of a book for such a reasonable price.

But what makes things even better, of course, is that the items selected are consistently interesting and often surprising. Those from The Pixar Treasures are no exception. A case in point is this hilarious early Christmas Card from the Studio.
I also enjoyed tremendously in the book the fact that the roots of the Pixar Studio are traced back all the way to the Disney Studio and the Character Animation Program (a physical reproduction of the program is enclosed) and that homage is paid more than once to Frank, Ollie, Eric, and Milt.
Is this book worth buying for the holidays? If you enjoy Pixar as much as I do, then the clear answer is "you bet!" But be warned that what makes its value are the countless illustrations and keepsakes, not the text itself. Lots of surprises though, so I doubt that any of you will be disappointed.

I have just received an email from Don Peri mentioning that the book Harriet Burns' daughter and him wrote about Disney Legend Harriet Burns is about to go to the printer.

Don, Pam Burns-Clair and Scott Wolf also launched a web site to keep us updated. Can't wait.

Tuesday, August 25, 2009

I received yesterday review copies of 4 new books from Disney Editions. One is nice, one is very good and one is simply put spectacular. I will review one book per day during the upcoming few days, leaving the best for the end. Let me start with the only book that proved to be a disappointment:

Walt Disney's Snow White and the Seven Dwarfs illustrated by Tenggren is definitely not a very good book. If you have the Cinderella and Alice in Wonderland books illustrated by Mary Blair, you know what the format and concept of this book looks like. It worked well with Mary Blair and made those previous two books "nice-to-have" if not necessarily "must-have". (And I look forward to Peter Pan that will be released at the end of October).

Unfortunately, for some reason, the Tenggren book is not up to par: it seems to contain a bit less artwork, but most of all the quality of the reproductions is problematic to say the least. Since the book is relatively cheap it might be a good idea to get it if only to have all of those Tenggren illustrations easily available in one place, but that's about all I can say in the book's favor.

Thankfully, Disney Editions has other great suprises for us in store before Christmas, which I will cover in details tomorrow and especially next week (I will be travelling on Thursday and Friday this week).
Do not miss today:

- Here's To "The Boys"! by Pete Emslie
- D23 EXPO Four Days Schedule by Alain Littaye

Monday, August 24, 2009

This just in from Don Hahn:

[I am thrilled to share with you the news that my documentary, Waking Sleeping Beauty, will be screened at the Toronto International Film Festival (TIFF) next month.

Below is a synopsis of the movie along with screening information for TIFF.

I am so excited about this movie and hope that over the coming months you have the opportunity to see the film as it plays at film festivals around the country and ultimately, in theatrical release in the spring of 2010.]

WAKING SLEEPING BEAUTY

From 1984 to 1994 a perfect storm of people and circumstances changed the face of animation forever

Directed by Don Hahn
Produced by Peter Schneider and Don Hahn

By the mid-1980s, the fabled animation studios of Walt Disney had fallen on hard times. The artists were polarized between newcomers hungry to innovate and old timers not yet ready to relinquish control. The conditions produced a series of box office flops and pessimistic forecasts: maybe the best days of animation were over. Maybe the public didn’t care. Only a miracle or a magic spell could produce a happy ending.

Waking Sleeping Beauty is no fairy tale. It’s the true story of how Disney regained its magic with a staggering output of hits - “The Little Mermaid,” “Beauty and the Beast,” “Aladdin,” “The Lion King,” and more – over a ten-year period.

Director Don Hahn and producer Peter Schneider bring their insider knowledge to “WSB”. Hahn was one of the Young Turks at Disney who produced some of its biggest sensations. Schneider led the animation group during this amazing renaissance and later became studio chairman. Their film offers a fascinating and candid perspective of what happened in the creative ranks set against the dynamic tensions among the top leadership, Michael Eisner, Jeffrey Katzenberg and Roy Disney (the nephew of Walt).

The process wasn’t always pretty. The filmmakers bring a refreshing candor in describing ego battles, cost overruns, and failed experiments that others might prefer to forget. During times of tension, the animators’ favorite form of release was to draw scathing caricatures of themselves and their bosses. Director Hahn puts several memorable ones on display and marshals a vast array of interviews, home movies, internal memos and unseen footage.

Announcing the world premiere of “Waking Sleeping Beauty” at the 2009 Toronto International Film Festival (http://www.tiff.net), the festival’s documentary programmer Thom Powers said, “’Waking Sleeping Beauty’ celebrates the rich history of Disney animation and honors the many writers, artists, and composers who created the Disney magic. The treatment is so thorough that it includes key figures who famously left Disney such as Don Bluth, John Lasseter, and Tim Burton. At one time, children imagined that Walt Disney’s signature meant a film was the creation of one man. This is a more grown-up portrayal that reveals the collaborative, often contentious, experience in all its complexity.”

WAKING SLEEPING BEAUTY

September 12th at 9:30am Press/Industry 1, AMC 9
September 16th at 6:00pm Press/Industry 2, AMC 9

September 15th at 6:00pm Public Screening 1, AMC 7
September 17th at 3:00pm Public Screening 2, AMC 9
September 19th at 10:45am Public Screening 3, AMC 5


Here is one of the elements you will find in the 6th gallery of the Walt Disney Family Museum.
Do not miss today:

- Animated Film Techniques 2 by Michael Sporn

and the Disney Books Network was updated this weekend.

Friday, August 21, 2009

This just in from Gunnar Andreassen:

[Enclosed are some photos of Walt and his family in England that I found on eBay a couple of weeks ago.]



This just in from Jim Korkis:

[Imagine going through your relative's old home movies and discovering images of Disneyland in 1956 and your grandmother shaking hands with Walt Disney. Imagine JUST discovering this treasure and posting it at: http://vimeo.com/6016945]
Do not miss today:

- Walt in Ireland by Michael Barrier
- Behind the Walls of Hollywood Studios by Jeff Pepper
- Disney Consumer Products to Offer a Series of First Looks and Magical Activities at D23 EXPO
- The Walt Disney Studios at D23 Expo

Thursday, August 20, 2009

Talk about a delightful surprise! I received yesterday my copy of the long awaited autobiography of Wally Boag, written with Gene Sands, Wally Boag - Clown Prince of Disneyland. The book is everything that one could expect and then some. It's shock-full of never-seen-before documents and illustrations about Wally and Wally's life and career, filled with great stories, and, being 176 page long, has enough space to ensure that all the key details are covered. In other words, if you care about the early days of Disneyland, you can't miss this book.

I wished there were books like this one about all the key Disney Legends (knowing me, Ken Anderson comes to mind immediately, of course).

I interviewed Gene Sands a few months ago about the book at this link.

Can't tell you how excited I am each time I have to review a book like this one that really brings something new to some aspect of Disney History.

[UPDATE. Gene Sands says: "Despite what the link says, The "Collector's Edition," which has been signed, can be purchased for $68.00 which includes tax, handling and postage. The "Standard Edition," which is not signed, can be purchased for $45.00 which also includes tax, handling and postage.]

.