This just in from Amid Amidi:
[Hadn't seen anything about this on your site so I wanted to make sure you were aware of the new bio about Disney Burbank architect Kem Weber, written by Christopher Long.
There's a chapter on the Disney studio with about 20 images from the Weber archives at UCSB (mostly familiar). The write-up, while nicely done, also relies on familiar published material (Gennawey, Gabler, Thomas, the usual suspects), and there are few, if any, new revelations. The book is short on key details; for example, how did Disney choose Weber or even know about him? Still unclear.
Going through the book, one realizes that the Disney studio, while a major commission, isn't one of the designer/architect's best works. The book's real value, therefore, is the context it provides. It helps us better understand how the Disney studio fits into the rest of Weber's expansive body of work.]
[Hadn't seen anything about this on your site so I wanted to make sure you were aware of the new bio about Disney Burbank architect Kem Weber, written by Christopher Long.
There's a chapter on the Disney studio with about 20 images from the Weber archives at UCSB (mostly familiar). The write-up, while nicely done, also relies on familiar published material (Gennawey, Gabler, Thomas, the usual suspects), and there are few, if any, new revelations. The book is short on key details; for example, how did Disney choose Weber or even know about him? Still unclear.
Going through the book, one realizes that the Disney studio, while a major commission, isn't one of the designer/architect's best works. The book's real value, therefore, is the context it provides. It helps us better understand how the Disney studio fits into the rest of Weber's expansive body of work.]
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