This just in from Garry Apgar:
[Diane,
her dad, and “What Would Walt Do?”
Tomorrow,
December 5th, will mark the 112th anniversary of the birth of Walt Disney. Two
weeks from today, December 18th, the late Diane Disney Miller (and her many
friends and admirers around the world) would have celebrated her 80th
birthday.
Over
the last two decades Diane’s great public passion was her dedication to
preserving, researching, and promoting the achievements and legacy of the man
she referred to quite simply as “dad.” Diane, her husband Ron Miller, their
son Walter, and other members of the Miller family turned that
passion into action in 1997 by establishing the non-profit Walt Disney Family
Foundation, whose first major project was an interactive biography on CD-ROM
called Walt Disney: An Intimate History of the Man and His Magic (1998). Three
years later, the Foundation released a 90-minute documentary on VHS (Walt
Miller, Executive Producer) entitled Walt: The Man Behind the Myth.
(A 2012 version of the film on DVD is 2 hours long.)
After the
release of The Man Behind the Myth, Diane and the Foundation embarked
upon a far more ambitious and more complex project: the creation of The Walt
Disney Family Museum, located on the grounds of the Presidio in San Francisco,
overlooking — as seen from the grand picture window in the back of
the museum — the Golden Gate Bridge.
The
Walt Disney Family Museum, which opened on October 1, 2009, houses a
fascinating and visually delightful array of art and artifacts, video, and
other displays. In addition, under Diane’s leadership, the Museum initiated a
program of exhibitions, the high point of which so far has been Snow
White and the Seven Dwarfs: The Creation of a Classic, curated by Lella
Smith, Creative Director of the Walt Disney Animation Research Library in
Glendale. The Snow White show ran from mid-November 2012
through mid-April 2013 and traveled in June to the Norman Rockwell Museum in
Stockbridge, Mass.
In
tandem with the creation of the Museum, the Walt Disney
Family Foundation launched The Walt Disney Family Foundation
Press, which published two Snow White books in 2012. The first of these,
an oversize 320-page volume, The Fairest One of All, is a definitive
history of the film. A smaller, 256-page book, Snow White: The Art and
Creation of Walt Disney's Classic Animated Film, was designed to serve as a
“catalogue” or companion publication to the show curated by Lella
Smith. Each of these handsomely produced books was written by the distinguished film and Disney historian, J. B. Kaufman, who is now working on a book for the Press on the making of Pinocchio, originally intended to serve as the companion volume to a second major exhibition, devoted to Walt’s second feature-length cartoon masterpiece, and planned for 2014 at the Disney Family Museum, but which for the time being has been taken off the schedule.
Today, however, to celebrate the memory of both Walt and Diane, I believe it might be nice to take a more light-hearted approach and reproduce the two images below. These images address, ironically (though that was not the intent, I’m sure, of their makers), the question that ever since Walt’s passing in 1966 seems to surface whenever a particular problem would arise at the Disney studio, or whenever the future of the studio itself appears to be at risk: “What Would Walt Do?”
The
first image, posted online on March 23, 2009 by “Juanma”,
is a spoof on the idea of what a Disney treatment of Lord of the Rings would
be like. The second drawing is by the great caricaturist Robert Grossman,
published around 1996 when the Disney version of The Hunchback of Notre
Dame came out. Diane Miller loved Bob Grossman’s work. I don’t think
she ever saw this particular image, but I am pretty sure she would get a
chuckle out of it.
“What
Would Walt Do?” ... Now that Diane is gone, anyone concerned about cultivating
Walt’s legacy is entitled to ask, ”What Would Diane Do?” The answer is clearly
two-fold. Remain curious about all things Disney, and keep fighting the good
fight to get the word out about everything her dad did and the kind of man he
really was.
Walt
Disney was not just a genius and a visionary. He was a good man, a good husband
and father, and an inspiring leader whose accomplishments were the result of
hard work and perseverance as well as innate artistic talent. Walt Disney was,
as I like to say, the tent-pole of modern American popular culture. And because
popular culture is American culture, Walt’s impact on our lives has been
more profound, and will be longer lasting, than that of any other artist,
writer, or film-maker in our history.
