A few days ago, I had the pleasure of interviewing Greg Glasgow and Kathryn Mayer, authors of the newly released Disneyland on the Mountain. Enjoy!

Didier Ghez: Why, how and when did you decide to write Disneyland on the Mountain?

We are both Disney fans who had heard a bit about Mineral King over the years, but when we visited the Walt Disney Family Museum in 2018, we saw the project mentioned on the museum’s extensive timeline of Walt’s life. What really piqued our interest was that the mention included the fact that Walt’s partner on the project was Willy Schaeffler, a well-known Colorado skier and head ski coach at the University of Denver in the 1960s and 1970s. We were familiar with Willy since Kathryn is a graduate of DU, and we actually met working at the school. That inspired us to look more into the story, and we quickly realized how much there was to it. We were shocked to learn how extensive the story was—from the environmental movement that was taking off at the time to Walt’s death in the middle of the planning for Mineral King and the battle going to the Supreme Court.

DG: Two books have already been released about the Mineral King project, Mineral King: Public Concern with Government Policy by John Harper, in 1982, and, more recently Dawn at Mineral King Valley: The Sierra Club, the Disney Company, and the Rise of Environmental Law by Daniel Selmi. What makes your new book different?

Thanks for asking this question! Both of those books are great, and they were helpful resources for us as we wrote ours, but we really tried to set ours apart. Harper’s self-published book came out in 1982, as you mentioned, and is more or less his chronicle of his experience, as a Sierra Club member, fighting against the Disney development. Selmi, similarly, is a legal scholar and professor who did a great job writing about the legal aspects of the Sierra Club v. Morton case and its impact on environmental law. We were writing ours at the same time as Selmi was writing his, and his came out about a year before ours. We were glad after reading his, though, that his book turned out very different from ours.

In Disneyland on the Mountain, our goal was to tell both sides of the story—the Disney side and the environmentalist side—and to give equal weight to both. We also strived to do it in a very narrative way, with characters and dialogue, to make it a hopefully enjoyable and engaging read.

DG: What were the most important new sources of information that you got access to?

We were able to talk to many people on the Disney and the environmentalist side of this battle, including Michael McCloskey, who was the leader of the Sierra Club during the Mineral King fight, and Jean Koch, a Mineral King cabin owner who was a very vocal opponent of the development and who donated all of her Mineral King materials—newspaper articles, legal documents, letters, maps, etc.—to the University of Southern California. We visited that archive for a few days early on in our research.

On the Disney side, we talked with former employees including Frank Allnutt and Frank Stanek, as well as the descendants of several Disney people who were involved with the Mineral King project.

We also tracked down other archival documents, old Disney reports, and letters, among other resources.

DG: What were the most interesting discoveries that you made in the course of your research?

Most interesting to us were Walt’s experiences at the 1960 Winter Olympics, and the fact that he was such a dedicated and award-winning conservationist. We also had no idea, when we started our research, that the Mineral King battle lasted nearly two decades and involved a legal case that went all the way to the Supreme Court.

DG: What were the most challenging aspects of this book project?

As you would imagine, the most challenging part was doing all the research and tracking down people to talk to. Most of our interviews came from simply finding people online and reaching out to see if they would talk to us (sometimes they would point us in the direction of another source). And as you’ll see from our endnotes, our research involved numerous sources, including newspaper and magazine articles, Disney annual reports, book chapters, meeting minutes, government documents, documentary films, and more. It was a lot to go through!

DG: Are you planning to write more Disney-related books?

We would love to! We are big Disney people and are so fascinated by the company’s rich history. We are starting to work on our next project now, and while it’s too early to divulge details, it is in a somewhat similar vein to Disneyland on the Mountain.

I have been waiting and waiting for this book for years and years.

If, like me, you are curious to know who the men and women who are featured on the windows of Main Street are, this book is definitely for you.

Chuck Snyder has written the definite guide to the Main Street windows, complete with photos of all the people featured in the book.

This is a critically important volume and a must-have for Disney historians. 

I love "The Nightmare Before Christmas" and can't get enough when it comes to the history of the making of the movie.

Which is why I am so delighted to have received a copy of Dave Bossert's gorgeous new book on the subject.

Based on new interviews and extensive research, this is a must-have.

By the way, this is really a great year for Dave. First his "House of the Future" masterpiece and now this.

Congratulations!

Not sure if this special issue of Life magazine is worth picking up, but I thought I would give you a heads up about its release.

I wrote the foreword for Jamie Hecker's new book which has just been released yesterday. You can read it below:

[As a teenager growing up in the 1980s, I was already passionate about Disney history.

As soon as I managed to learn enough English to allow me to do, I sought out American magazines which contained good, accessible books and articles about Disney history. Two of the writers whose work I loved were Jim Korkis and Jim Fanning. My understanding of Disney history did not yet run very deep and I needed historians to gently guide me in this gigantic maze of stories about Disney artists and their creations. In other words, the two Jims provided well-written, entry-level pieces about the men and women who made Disney “Disney” and about their fascinating creations.

Thanks to them I discovered who was who, how their operated and how they collaborated. I also learned much more about their boss, the great Walt Disney. The two Jims took me by the hand and helped me understand the big picture, which, years later meant that I was able to dig much deeper and to finally become an actual Disney historian. Without them and without their work, I would never have acquired the fundamental Disney history knowledge that would one day allow me to write Disneyland Paris—From Sketch to Reality, Disney’s Grand Tour, The Origins of Walt Disney’s True-Life Adventures or the They Drew as They Pleased—The Hidden Art of Disney art book series.

It is therefore with delight that I discovered the work of Jamie Hecker in the pages of the magazine Celebrations. His profiles of Disney Legends go beyond the short biographies released on the D23 website but are short enough to provide great introductions to the lives and work of these exceptional artists for readers who love Disney history but have yet to become Disney history specialists.

Like Jim Korkis’ and Jim Fanning’s pieces, Jamie’s articles are well-written, well-researched and a joy to read.

It is therefore with enthusiasm that I see some of them collected in this first volume of what I hope will become a long book series.

One, which, I suspect, will inspire quite a few teenagers to one day become Disney historians.

Didier Ghez
Coral Gables, August 2023]

 I am excited to announce that a new volume of Walt’s People has just been released today.

Walt’s People: Volume 28 features appearances by about Mike Bagnall, Richard Berryman, Ray Bradbury, Bill Cottrell, Roy E. Disney, John Drury, Nick England, Don Escen, Al Eugster, Leigh Harline, Dan Haskett, John Hench, Grace Hurt, Brandon Kleyla, Rich Kullen, Fred MacMurray, Mel Powell, Woolie Reiterman, Jim Sarno, John Tobin, and Ray Watson.

My wife and I were in Europe for the past two weeks (The Netherlands, Belgium and France) and that gave me the opportunity to meet quite a few animation artists, historians and collectors with whom I had only corresponded by email until now.

In Groningen, I met with Jan-Willem de Vries. I had both the Dutch and English versions of his biography of Disney comic artist Daan Jippes and loved it.

What I did not know is that Jan-Willem has also written quite a few artbooks about the history of the Dutch animation and comic studio Toonder. Those are not Disney-related but they are so beautiful and so impressive that I have to show some of them here.

If you speak Dutch (or are willing to read those heavily-illustrated books using Google Translate) those books are well-worth buying if you can find copies. I cannot say enough good things about them.